We couldn’t think of a more apt title for director Thea Sherrock’s
film Me Before You. Various
sources had decried it as promoting assisted suicide (here and here)
and disability groups have their own critical reactions (here
and here).
Neither negative stance is incorrect but neither gets to the heart of the moral
abyss that sits at the core of this film.
Based on a novel and screenplay by JoJo Moyes, the plot of Me Before You begins with a flashback of
Will Traynor, apparently something of a vulture capitalist, who is struck by a
motorcycle and rendered a quadriplegic. The film quickly switches to a perky
sweet thing, Lou Clark, who loses her job as a waitress. The loss of Lou’s
income throws her extended family into financial distress so she takes a job as
one of Traynor’s caregivers.
By this point Traynor has given up hope for recovering any of his
motor skills beyond moving two fingers with which he controls his electric
wheelchair. Bitter at the loss of his physical prowess, Traynor has already tried
to take his own life. His initial failure is followed by a decision to go to a
death clinic in Switzerland but his mother persuades him to wait six months
before letting someone else kill him.
Lou eventually breaks through Traynor’s icy bitterness and, once
she learns of his decision to die, does all she can to demonstrate the wonder
of life, family, and friendship. Indeed, Lou falls in love with Traynor and, so
it appears, he with her. Nonetheless, a man of his word, Traynor goes through
with his assisted suicide.
Me Before You is an adept portrayal of
the vacuum of the contemporary moral universe. The only “moral good” is
autonomy, although why autonomy is good
goes unexamined. On the film’s terms, Traynor’s self-centered but freely chosen
decision to end his life cannot be criticized. When there is no good except
that to which consent is given there is nothing—love of family and friends or
the beauty of the world or the possibility of a years of valuable service—that
can or even should be counted against what the will freely choses. There is, in
other words, no moral law.
Which raises the question, why should we care about autonomy? Why
should autonomy be prized if there is no moral law that supplies the
“oughtness” that makes autonomy a good? One might suppose an answer: that human
beings have an inherent, if inexplicable, moral sense that requires that there
be some standard of right and wrong,
even one as deracinated as autonomy. Rather thin gruel for a well-nourished
moral life, and one which will quickly succumb to a vigorous utilitarianism in
due course. “Encouraged” suicide, anyone?
Me before you is no better or worse than you before me so long as
“me” chooses.
Easy evidence of self über
alles can be found in the current American presidential contest. Even
though few of his supporters have the will or the means to live in disregard of
the interests of others, Donald Trump is the avatar of the (psycho)logical end
of ethical autonomy.
Perhaps, though, there are examples of the valorization of ethical
autonomy closer to home. Hardly a week goes by when I do not evaluate a moral
decision in terms of my self-identified rights. “The heart is deceitful above
all things,” the Preacher wrote, and the desire for autonomy has never been far
from the fallen human heart. While relatively few put our “me” as far before
our collective “yous” as did Will Traynor, many of us live closer to the line
than we’d care to think. And, when pressed to justify our own atrophied moral
sense, how many could provide much more than autonomy with a thin Christianized
gloss to justify our decisions?
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